Sound Mixer

Sandy, UT

Contracted

Sound

Student (College)

Job Overview:
We are seeking a dedicated and enthusiastic Audio A2 to join our sound department for theatrical productions. This role is vital to ensuring clear, high-quality sound, and involves close collaboration with the A1 (Lead Audio Engineer), actors, and the rest of the production team. The ideal candidate is friendly, communicative, a team player, and experienced in working with wireless microphones and theater sound systems. This position requires a strong work ethic, a willingness to ask questions when necessary, and the ability to perform in high-pressure environments, particularly during the holiday season.

Key Responsibilities:
- Assist with the setup, maintenance, and operation of wireless microphones, ensuring proper functioning throughout rehearsals and performances.
- Perform mic checks, troubleshoot issues, and provide fast solutions for any wireless microphone problems that arise during live performances.
- Work closely with actors to fit and secure microphones, asking for consent when necessary to assist them with placement or adjustments.
- Communicate clearly and effectively with the A1, actors, stage management, and other members of the sound department to ensure smooth audio operations.
- Collaborate with the sound team during rehearsals, performances, and technical runs to deliver consistent and professional audio support.
- Be available to work long hours, especially during the holiday season, including nights and weekends, as needed for the production schedule.
- Proactively ask questions to clarify tasks, technical requirements, and actor needs to ensure a high level of performance.
- Maintain a professional, friendly demeanor when interacting with the cast, crew, and other members of the production team.
- Participate in pre-show setup and post-show breakdown of audio equipment, ensuring all gear is safely and properly stored.

Qualifications:
- Prior experience working with wireless microphones in a theater environment is required.
- A strong understanding of basic sound principles and live audio mixing.
- Hands-on experience with mic rigging and actor mic placement.
- Excellent communication skills and a willingness to collaborate with a team.
- Ability to troubleshoot under pressure and solve audio-related issues quickly.
- Experience working in theater productions, including understanding the unique challenges of live performances.
- A team-oriented mindset, with a willingness to take initiative and support fellow team members.
- Must be comfortable working closely with actors and asking for permission when assisting with microphone placement or adjustments.
- A positive attitude and strong work ethic, especially during high-demand periods such as the holiday season.

Work Environment-
- Fast-paced, dynamic, and collaborative theater production environment.
- Extended hours during tech rehearsals, previews, and performances, particularly around holidays.
- Physical activity, including standing for long periods and handling audio equipment.

You must have transportation to/from work and be in the state with your residence.

How to Apply:
Please submit your resume, cover letter, and any relevant experience by applying online.

We are an equal opportunity employer and encourage candidates of all backgrounds to apply.

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College or University

Can you work weekends?

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In 150 characters or fewer, tell us what makes you unique. Try to be creative and say something that will catch our eye!

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References: Please enter names and contact information:

1. Have you mixed on a Yamaha digital console before (CL, QL, or Rivage)?
2. Do you know how to create and recall scenes on a Yamaha console?
3. Do you understand what a DCA is and how to use it?
4. Can you set up and label channels efficiently on a Yamaha board?
5. Do you know how to troubleshoot a channel that isn’t passing audio?*

1. Have you configured devices in Dante Controller?
2. Do you know how to route inputs and outputs in Dante?
3. Can you identify and fix a clock sync issue in a Dante network?
4. Have you named or organized Dante devices for a show?
5. Do you know what a DDM is?*

1. Have you used Smaart for system tuning or measurement?
2. Do you understand how to align subs and mains using Smaart?
3. Can you read and interpret frequency and phase traces in Smaart?*

1. Have you worked with Clear-Com systems before?
2. Do you know how to assign channels and adjust levels on Clear-Com?
3. Can you troubleshoot communication issues between wired and wireless packs?*

1. Have you used Shure Wireless Workbench for frequency coordination?
2. Do you know how to scan for open frequencies using Shure gear?
3. Can you monitor battery levels and RF signal strength during a show?
4. Have you ever coordinated multiple wireless systems in one event?*

1. Have you programmed or operated cues in QLab?
2. Do you know how to trigger audio or MIDI cues in QLab?
3. Have you linked QLab with another system using OSC or MIDI?
4. Can you edit or organize a QLab show file for playback?*

1a. Do you use Google to find manuals or technical documentation?
2a. Have you used online forums or videos to solve technical issues?
3a. Do you know how to use the Google suite?

1b. Have you used OSC commands to control devices or software?
2b. Do you know how to configure OSC between QLab and a console?
3b. Do you know what OSC is?

1c. Have you used a DAW such as Pro Tools, Logic, or Reaper?
2c. Do you know how to record and edit live audio tracks?
3c. Can you prepare playback stems from a DAW for live use?*

1. Do you work well as part of a team under pressure?
2. Are you comfortable communicating with other departments (lighting, video, stage
management)?
3. Are you open to feedback from other engineers or leads?
4. Do you maintain a calm and professional attitude during live events?
5. Are you willing to help train or assist less experienced crew members?*

Are you Dante level 3 certified?
Are you Q-sys level 1 certified?
Have you designed or operated systems using Q-SYS Designer software?
Do you have experience configuring a d&b Soundscape system?
Do you understand how object-based mixing differs from traditional stereo or L/R systems?
Do you understand basic networking concepts (IP addresses, subnet masks, DHCP vs static)?
Do you know how to set up a small audio network with switches and VLANs?
Do you know the difference between a star topology and a ring topology?
Do you have experience troubleshooting network connectivity issues?
Do you understand how to manage network traffic for Dante, Q-SYS, or AVB systems?*

Human Check*

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